"Each man has a song and this is my song." (Leonard Cohen)

Wednesday, March 13, 2013

Saskatchewan (Universal, 1954): Alan Ladd, part 4

 









Post-Paramount


Howdy. We have got to 1952 in our survey of Alan Ladd’s Western career, which was the year of The Iron Mistress. I reviewed that back in June 2010, so click the link to read more. For now, here, I’ll just repeat the first paragraph:

If Jim Bowie had been an immaculately dressed New Orleans gambler with elegant manners, Alan Ladd would have portrayed him very well. Unfortunately he wasn't, and The Iron Mistress is little more than a top hat and sword romance.
 


As for Shane, I really don’t think I can usefully add significantly to the torrents of words (including mine) that have flowed on the subject. Again, click the link to read the review. I’ll just repeat here that Shane remains one of the great Westerns, at the top of many people’s list and in key ways the model. Anyone interested in Westerns or who is, in Richard Slotkin’s words, learning the language of Westerns, will refer to it again and again. There are certainly endless mentions in this blog. It really only had one major weakness: Alan Ladd. Subtle as he is in managing the relationships with Starrett, Marian and Joey, moving as he was in the chaste romancing he does of Marian, he just couldn’t do the tall, dark stranger that Jack Schaefer wrote about, the mysterious gunman with ‘a past’ who rights the wrongs of the valley with his fists and sixguns. It didn’t work.
 

But today, let’s look at Ladd’s first Western after Shane and away from Paramount, one of the two he made in 1954: Saskatchewan, directed by Raoul Walsh for Universal.
 

Saskatchewan (Universal, 1954)







Saskatchewan is a fun movie with a bit of zip. The screenplay (Gil Doud) is dull but thanks to Raoul Walsh this is a rollicking, boisterous Western - if you think films about red-coated Mounties qualify as Westerns. It was made two years after Tyrone Power had joined the Mounties in Fox’s so-so Pony Soldier.
 

It is 1877, in Saskatchewan. Alan Ladd (Whispering Smith in red) has been brought up by the Cree and become a policeman. He does everything to prevent the Cree allying with post-Little Big Horn Sioux, who have come north into Her Majesty’s domains, wanting to wipe out as many redcoats as they had bluecoats. Ladd has his own Tonto in the shape of Jay Silverheels, his blood brother, but Jay is a bit cross at being disarmed by a mule-headed and insensitive British RCMP officer (Robert Benton) and so he sides with Crazy Horse and Sitting Bull.
 
 
In a Bountyesque episode, Ladd mutinies against Benton and leads the party bravely to safety. In the group is Shelley Winters, a large saloon gal, who is distinctly out of place. She is accompanied by an Earpish US Marshal (in fact it’s Hugh O’Brian so no wonder he looks Earpish) who is taking Shelley back to Montana to stand trial for murder, though really he is in love with her. Of course Canadian Mounties were OK to Hollywood if an American lawman came north of the border to arrest someone. That had been proved by Gary Cooper in North West Mounted Police in 1940. Shelley always had substantial Browningesque curves and was no sylph but in this movie she wasn’t yet actually fat. However, large or small, she was always poor in Westerns.
 
 
The party is made more colorful by the addition of a buckskin-clad French scout, Batouche (J Carrol Naish), who is amusing. There’s also a cheery ‘Irishman’ whose accent sounds suspiciously like Chicago, in the shape of Richard Long.

The Banff scenery is truly spectacular, photographed dramatically in Technicolor by John Seitz. It could have been Switzerland. It’s actually Bow Lake and Peyto Lake in the Banff National Park, and quite stunningly beautiful. The music (Henry Mancini et al) is overwrought but quite suitable and Walsh-ish.
 

There is loads of action as the Sioux attack a lot. There’s a high-speed canoe chase, obviously the prototype for Bullitt or The French Connection (not). It’s really a straightforward cavalry Western that just happens to be set in Canada and the soldiers have red uniforms instead of blue. Ladd isn’t very good and the part cried out for Errol Flynn but I suppose the female fans were happy either way.
 

Of course lerve blooms once the jealous Marshal O’Brian is disposed of. The Mountie always gets his person, after all.



4 comments:

  1. The two Alan Ladd movies could not be watched on Westerns On The Web. Must be some publicity crap, not allowing anyone access. Sure it could be to protect sales at Amazon.com.
    No problem with buying the 2 movies, but from where.
    Tony Ong

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    1. Hello Tony
      Thanks for your comment.
      Have you tried amazon? They should have them. Try http://www.amazon.com/s/ref=nb_sb_ss_i_3_9?url=search-alias%3Dmovies-tv&field-keywords=alan%20ladd%20westerns&sprefix=alan+ladd%2Cmovies-tv%2C278

      Jeff

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  2. Hi Jeff. Just thought I'd point out this movie is notorious for being low point for classic Hollywood butchering Canadian geography and history, and is quite funny for Canadian viewers. The province of Saskatchewan is some of the flatest terrain the world, Hollywood has in effect moved the Rocky Mountains east from Colorado (Alberta) into Kansas (Fort Walsh, Saskatchewan). The Mounted Police fought zero gun battles with the Sioux, in the fact the Sioux foray into Canada after Custer's Last Stand was quite peaceful, no shooting of anyone let alone a deadly battle. The Mounties sneaking up on the Indians in their Red Serge uniforms is great, as are the jungle calls the Indian scouts make at night. Awesome film!

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    1. Yes, very amusing portrayal of 'history'. Of course Hollywood Westerns were notorious for playing fast and loose with the facts. Up to a point I don't mind that. We don't watch Westerns for a history lesson. I only object when they preface the movies with "this is how it really happened"-type statements!
      Jeff

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